By Victor Davis Hanson

The left has become the establishment it once supposedly despised. From Victor Davis Hanson at amgreatness.com:

The Left runs Oceania, and we work for their various bureaus.

The 1960s revolution was both anarchic and nihilist. But it was waged against—not from—the establishment. Hippies and the Left either attacked institutions or, in Timothy Leary fashion, chose to “turn on, tune in, drop out” from them.

The current revolution is much different—and far more dangerous—for at least three reasons.

The Establishment Is the Revolution

The current Left has no intention of “dropping out.” Why would it?

It now controls the very institutions of America that it once mocked and attacked—corporate boardrooms, Wall Street, state and local prosecuting attorneys, most big-city governments, the media, the Pentagon, network and most of cable news, professional sports, Hollywood, music, television, K-12 education, and academia.

In other words, the greatest levers of influence and power—money, education, entertainment, government, the news, and popular culture—are in the hands of the Left. They have transformed legitimate debate over gay marriage into a hate crime. Transgenderism went from a modern manifestation of ancient transvestism or gender dysphoria to a veritable litmus test of whether one was good or evil.

Students have no need to jam administrators’ offices because the latter, themselves, are as radical as the protestors and often lead them on in a top-down fashion. Had they not long ago demonstrated they were perfectly willing to subvert meritocracy, free expression, and equality under the law, they would not be occupying their present positions.

Apple, Google, Facebook, and other tech companies are not 1980s and 1990s “alternative” media geeks and hipsters creating neat gadgets for the people. They are not Steve Jobs and his pugnacious Apple battling the evil Microsoft or IBM, or the Macintosh commercial of 1984 depicting a maverick throwing a hammer into Big Brother’s screen. They are the Orwellian screen.

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